Publications  (academic, catalogues, articles)

"Masquerades and Facelessness. Critical Counter-Narratives of Digital FaceCulture in the work of Hito Steyerl and Ryan Trecartin”, in: Photofilmic Images in Contemporary Art and Visual Culture, Lieven Gevaert Press, 2016, Vol. 15/16, page: 281-296.

An Aesthetic of Absence. Critical Counter-narratives of Journalistic Story-telling in Eva Leitolf’s Photography, in: Image & Narrative. Vol. 16.1 (2015), "Photofilmic Art, Part 1: Negotiating Fraught Images in a Contemporary Public Sphere".

Bianca Baldi: Versipellis, Exhibition Text, Mousse Magazine, FEB 2018.

Performing the Border: Perspektiven des Widerstands (Ed.), Exhibition Catalogue, Verlag für Moderne Kunst, 2017.

Review of the exhibitions "Kader Attia: Reparing the Invisible" and "Christoph Büchel: Verlust der Mitte" at S.M.A.K., EIKON. Internationale Zeitschrift für Photographie und Medienkunst, 2017, Vol. 99, page: 66-7.

Review on "Cities & (Velo)Cities – Photo Biennale in Brussels”, in: Art+Antiques, Vol. 7+8 (2016), S. 112-113.

Portrait of "Mary Reid Kelley” and Review on Helena Almeida at WIELS, Brussels in Monopol – Magazin für Kunst und Leben, November 2016 (print), page 38-44 and 124.











Portrait on the art scene in Brussels and exhibition review of DAS INSTITUT, Serpentine Galleries London, Monopol – Magazin für Kunst und Leben, April 2016 (print), page 116-125 und page 130.


“Identity in the age of post-photographic art practices”, in EIKON. Internationale Zeitschrift für Photographie und Medienkunst, Vol. 89, 2015, page: 54-57.

Catalogue text: Sean Crossley: “Abstract Carbonara”, Interview and Exhibition Text (print) Exhibition Catalogue, AJM Brussels, December 2014.

Exhibition review and artist portrait of Katja Mater: Fields on a Line at KIOSK, on Le Salon, January 2014.