Publications  (selection)

Academic

“Den Algorithmus unterwandern. Digitale Maskeraden als aktivistisch motivierte
Kunstform der Gegenwart”,
Anthropology & Materialism. A Journal of Social
Research, Art and Technology: A Framework of Unaccomplished Promises, Vol.4,
(2019).


“The shadow from above. Vertikale Kontrolle, aerial Kriegsfuehrung und neue
Ethiken des Sehens”
,
in: All-Over. Magazin für Kunst und Ästhetik, Vol. 13 (October
2017).


“Masquerades and Facelessness. Critical Counter-Narratives of Digital Face
Culture in the work of Hito Steyerl and Ryan Trecartin”, in: Photofilmic Images in
Contemporary Art and Visual Culture, Lieven Gevaert Press, Vol. 15/16, page: 281-
296 (2016)


An Aesthetic of Absence. Critical Counter-narratives of Journalistic Story-telling
in Eva Leitolf’s Photography”
,
in: Image & Narrative. Vol. 16.3, "Photofilmic Art,
part 2: Images, displays, spectators", ed. Brianne Cohen and Alexander
Streitberger (2015).

Catalogue Texts, Art Journals

Photography Today: Resistant Faces, Exhibition Catalogue Pinakothek der Moderne, Co-ed. with Franziska Kunze, Munich  2020

Signal or Noise. The Photographic II, Catalogue Texts on Lynn Hershman

Leeson, Hana Miletic and Seth Price, Exhibition Catalogue SMAK Ghent, Roma
Publications 2019.


Essay “Remembering the Truth. On Pathology of Desire in the Art of Vasco
Araujo”, in: EIKON – International Magazine For Photography and Media Art, Vol
104, November 2018, p. 37-41.


“Bianca Baldi – Versipellis”, Mousse Magazine, Online 2018.


“Resist!” – Exhibition-review of the summer of photography at Bozar, in: Monopol.

Magazin für Kunst und Leben, September 2018, S. 136/7.


Exhibition review on "Kader Attia: Reparing the Invisible" and
"Christoph Büchel: Verlust der Mitte" at S.M.A.K., EIKON – International
Magazine For Photography and Media Art, Vol 104, Vol. 99, 2017, p. 66-68.

Performing the Border, Exhibition catalogue Kunstraum Niederoesterreich, Co-ed. with Christiane Krejs and Petra Poelzl, Verlag Für Moderne Kunst, Vienna 2017


Essay on “Mary Reid Kelley” and Review on “Helena Almeida at WIELS, Brussels
in monopol – Magazin für Kunst und Leben, November 2016 (print), page 38-44
and 124.


“Identity and Control in Contemporary Video Art ”, EIKON – International
Magazine For Photography and Media Art, Vol 104, Vol. 89, 2016, page: 54-57.


Portrait on the art scene in Brussels and exhibition review on DAS INSTITUT,
Serpentine Galleries London, monopol – Magazin für Kunst und Leben, April 2016,
page 116-125 und page 130.

Exhibition review and artist portrait of Katja Mater “Fields on a Line” KIOSK 11/2014,
Le Salon.


”Sean Crossley: Abstract Carbonara”, Interview und Exhibition Text (print)
Exhibition Catalogue, AJM Brussels, December 2014.

Exhibition review and artist portrait of Katja Mater: Fields on a Line at KIOSK, on Le Salon, January 2014.